
Peter Zeitlinger
BAD LIEUTENANT: PORT OF CALL NEW ORLEANS - Best Cinematography
Peter Zeitlinger

Biography
Peter Zeitlinger is an accomplished film maker whose career
encompasses cinematography, directing, writing and editing. He first worked as Director of
Photography on Werner Herzog’s documentary, Death For Five Voices in 1995, beginning a
collaboration which has lasted right up to now with Bad Lieutenant.
Soon after the Soviet occupation of Prague in the summer of
1968, Zeitlinger’s family moved to neighboring Austria to live. Not yet ten years old, he had to adopt
a new mother tongue. Being forced to express himself in a new way, he started
painting and sketching. At
thirteen, Zeitlinger discovered the possibility of making moving images. A
friend's father, a doctor, had an 8mm camera which he kept in his office. As
teenagers, the two boys secretly watched the doctor at work, and discovered the
camera. From that time, the boy would sneak into the office at night and use
the camera to work on his own animated films, sneaking out at the crack of
dawn. One night he was caught, but to his amazement the wealthy doctor was so
deeply moved by the animated films that he gave his camera to the "poor
refugees' child". Now Zeitlinger could film in the outside world during
the hours of daylight. One of his
first films, We Walked, won a Youth Film Festival prize and along with it a camera
with zoom and audio recording features. That was when filming really lifted off
for him. By the time he was
accepted by the Film Academy he had produced 70 short or animated films. His
first animated film, Der Geburtstag (The Birthday) was his ticket to University.
During his University years he wrote a number of scripts,
one of which, co-written with Erhard Riedlsperger was Tunnelkind (Tunnel
Child).
The film is set at the Czech-Austrian border where the Iron Curtain was erected
during the late ‘60s. Borders and marginalization are recurring topics in Zeitlinger’s
work. Although many films he produced during his university years were prizes, due to Austria’s bureaucratic academic structure,
it first seemed impossible for a young graduate from university to work as
Director of Photography. Normally, years of work as an assistant were to be
expected. Finally, he got to
photograph the film which was invited to the International Berlin Film Festival.
The film tells the story of a little girl who manages to convince the chief
builder at the construction site to build the electric fence above a secret
tunnel, leaving an escape into
freedom. During the production of Tunnelkind the Iron Curtain was abolished. Reality seemed to catch up
with fiction. The Berlin Film Festival was also dominated by the liberalization
of the communist countries, and the film was applauded as dealing marvelously
with current affairs.
After Werner Herzog watched Zeitlinger's outstanding hand-held camera work in
Ulrich Seidl’s Prepared for Losses,
Herzog hired him for a documentary, Death for Five Voices which won the Prix d’Italia. Zeitlinger has been Herzog’s
favorite DP ever since.
In 2005 he
worked on Grizzly Man, where Herzog did a remarkable job putting together Timothy Treadwell’s
extraordinary story, bringing to life a man who claimed to be a ‘Peaceful
Warrior’, protecting the grizzly bears in a remote region of Alaska.
They went on to work together on MGM’s Rescue Dawn starring Christian Bale
and Steve
Zahn. Written and directed by Herzog, it was based on his acclaimed 1997 documentary, Little Dieter Needs to Fly. Zeitlinger’s meticulous attention to detail and unique visual
style added immeasurably to the quality of the film.
The director-photographer team was selected for the
US-Antarctic Program by the US National Science Foundation resulting in the
2007 film, Encounters at the End of the World, a
beautiful look at a beautiful continent.
The film perfectly balances both gorgeous footage of the continent’s
wildlife and scenery as well as fascinating interviews and anecdotes of the
many researchers and workers at the McMurdo research station.







